Temporary service disruption due to Covid19.
In accordance with the Restriction Movement Order issued by the Malaysian Government on 16th March 2020, all foreign tourists and visitors are not allowed to enter Malaysia starting from March 18, 2020 until further notice.
Therefore, all visa facilities (VTR and VDR) of eNTRI, eVISA, VOA and Visa Malaysia (Stickers) to all foreign nationals are temporarily suspended with the decisions made effective March 18, 2020 until further notice. Any application for visa after the restriction date will only be processed pending on the government decision based on the current situation.
Kindly consider rescheduling your travel plan if your travel date is in between the restriction date.
We apologies for any inconvenience caused.
The Islamic Arts Museum Malaysia houses more than ten thousand artefacts, as well as anexceptional library of Islamic art books. The art objects on display range from the tiniest piecesof jewellery to one of the world’s largest scale models of the Masjid al-Haram in Mecca.The aim is to create a collection that is truly representative of the Islamic world.Instead of concentrating on works from the heartlands of Persia and the Middle East, IAMM alsoputs the emphasis on Asia. China and Southeast Asia are especially well represented. The thirdcomponent of the Malaysian melting pot is India, which is also given special status. India,China and the Malay World are in an exceptional category. Other parts of the collection aredisplayed according to type rather than geographical origins in the museum’s 12 galleries.
The style of the museum building is modern, with an Islamic feel created by the details ratherthan by the structure itself. Iranian tile workers transformed the iwan-style entrance into aceramic tapestry that frames a welcoming verse from the Qur’an. On the roof, these artisansturned the dome-construction traditions of Central Asia into the building’s crowning glory.The turquoise-coloured domes are now a landmark on the Kuala Lumpur skyline.
Inside the building, the angularity of 21st century design is contrasted with the soft, rounded forms of the five domes that dominate the museum’s interior. Laboured over by craftsmen from Uzbekistan, these imposing features help form an ambience that is both airy and harmony. The seamless continuity of light and space is maintained throughout the galleries and into other areas of the museum, such as the library and the restaurant.